Justin Chang
Justin Chang is a film critic for the Los Angeles Times and NPR's Fresh Air, and a regular contributor to KPCC's FilmWeek. He previously served as chief film critic and editor of film reviews for Variety.
Chang is the author of FilmCraft: Editing, a book of interviews with seventeen top film editors. He serves as chair of the National Society of Film Critics and secretary of the Los Angeles Film Critics Association.
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The film opens in an airport where a man greets the wife and daughter he hasn't seen in years. Farewell Amor is a deeply empathetic story about the struggles and anxieties of one immigrant family.
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David Fincher's new film is a playful weave of fact and fiction as it reimagines the story of Citizen Kane screenwriter Herman J. Mankiewicz in the years that inspired the Hollywood masterpiece.
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In this endearing farce, Kristen Stewart plays a woman planning to meet her girlfriend's family and propose marriage. The problem? The girlfriend's never actually come out to her folks.
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Steve McQueen's powerful anthology consists of five films, each telling a different story about the experiences of Black men and women in London's West Indian community.
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Kate Winslet plays Victorian-era fossil hunter Mary Anning, and Saoirse Ronan is her lover, in a film that dares to envision a world in which women are ultimately free to make their own decisions.
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Filmmaker Frederick Wiseman, now 90, has a gift for making riveting cinema from the minutiae of the everyday. His latest is a four-and-a-half hour documentary starring Boston City Hall, pre-COVID-19.
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An uneducated sailor falls in love and finds fame as a writer — only to become disillusioned by his own success. It's an intensely political work, which London wrote as a rejection of individualism.
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Two new movies reflect on the passage of time. One is an up-to-the-minute account of the Trump administration's response to COVID-19. The other follows a family impacted by long-term incarceration.
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Radha Blank plays a fictionalized version of herself — a struggling artist from Harlem, who was hailed years earlier as a promising playwright. The film is gorgeously shot in black-and-white.
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The Netflix adaptation of Donald Ray Pollock's novel is grim in ways that can be both exciting and wearying: so many twists and betrayals, so many awful characters, so many horrific acts of violence.