Annalisa Quinn
Annalisa Quinn is a contributing writer, reporter, and literary critic for NPR. She created NPR's Book News column and covers literature and culture for NPR.
Quinn studied English and Classics at Georgetown University and holds an M.Phil in Classical Greek from the University of Cambridge, where she was a Cambridge Trust scholar.
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Former Washington Post leader Len Downie is well-placed to offer a look at 50 years in news — but he also writes of times he had to weigh the public's right to know against national security.
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Hill's election to Congress in 2018 seemed like a sign of progress. A year later, she resigned after admitting to an affair with a young staffer, documented by her husband, and leaked to the press.
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Kim Wall was 30 when she was killed by a source. Her parents are working to make sure her name will not be a warning but a tag under ambitious investigative pieces, a line on resumes, a calling card.
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The flattening effect of political discourse, insipidity of the first lady role and her own remoteness have led us to either forget she has an inner life — or to imagine her as an elegant prisoner.
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The ABC White House correspondent avoids bravado and knows better than to let insiders use his book to sound off about their enemies. But the obviousness of his account reveals an alarming truth.
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In his new book, The New Yorker's Joshua Yaffa is as much an ethicist as he is a reporter, presenting a portrait of the Russian state through those who have decided to compromise with it.
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The MSNBC host's book compiles the most convincing research and journalism on the harm oil and gas have done to global democracy, and then weaves together a narrative of greed, power and corruption.
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At points, it is hard to read Miller's devastating, immersive memoir and breathe at the same time. Miller is an extraordinary writer, with her sharpest moments focusing on her family and their grief.
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New York Times reporters Jodi Kantor and Megan Twohey broke the story that ended the Hollywood producer's alleged reign of terror and helped to ignite the #MeToo movement.
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The collection of 32 mostly previously published essays by New Yorker TV Critic Emily Nussbaum includes a new consideration of the question "What should we do with the art of terrible men?"