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Filmmaker Maysaloun Hamoud does not like being typecast.

"The Israelis say, you don't look Arab or Palestinian," she says, rolling her eyes. "Huh? If I wear a dress or outfit that [doesn't look] religious, I cannot be a Palestinian? I have to be, like, exactly how you design me?"

Hamoud is 35, wearing a long skirt, tank top and rose-tinted sunglasses. The title of her acclaimed and controversial film Bar Bahar — or In Between in English — is tattooed in Arabic and English on her right forearm.

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As Iraqi forces backed by the United States ramp up efforts to take Mosul back from ISIS, there are reports of scores of civilians killed by airstrikes from a U.S.-led coalition.

In a statement, the United States Central Command admitted that its airstrikes had hit an area where civilian casualties have been reported.

Washington, D.C.'s Capital City Public Charter School feels like a mini United Nations. Many of the school's 981 students are first-generation Americans with backgrounds spanning the globe, from El Salvador to Nigeria to Vietnam. So when the staff of the literacy non-profit 826DC began a book-publishing project with the junior class, they picked a topic everyone could relate to that also left room for cultural expression: food.

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Twitter and other social media platforms often seem anti-social: mean, ugly avenues where people bash, blame and fulminate. But this week, just a couple of hours after the terrorist in front of the British Parliament killed four people and wounded scores of others from all over the world, the official U.K. Parliament Twitter account posted a short note of simple nobility:

It was a quiet message of defiance; an understated, eloquent way to say: We're still here. Business as usual. The show of democracy goes on.

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